Christian Boltanski was born in paris, France in 1944.
Boltanski was a French sculptor, photographer, painter and
film maker.
Boltanski in 1986, began creating mixed media/ material
instillations with light as an essential concept. Using tin boxes, altar-like
construction of framed and manipulated photographs of Jewish school children
taken in Vienna in 1931 and was then used as a grim reminder of the mass murder
of Jews by the Nazis. Boltanski’s work featured in an exhibition at Basel,
Museum Gegenwartskunst, 1989. His enormous instillation titled ‘No man’s land’
(2010) at the Park Avenue Armory in New York, is a great example of how his
constructions and installations trace the lives of the lost and forgotten.
Boltanski has participated in over 150 art exhibitions
throughout the world. He has also had solo exhibitions at the New Museum
(1988), the Kunstmuseum Liechtenstein, Magasin 3 in Stockholm, the La Maison
Rouge gallery, Institut Mathildenhohe, the Kewenig Galerie, The muse d’art et d’histoire
du judaisme and many more.
In 2002,
Boltanski made the installation "Totentanz II", a Shadow Installation
with copper figures, for the underground Centre for International Light Art in Unna,
Germany.
His awards won
include;
- 20.07 billionéateurs sans frontières award for visual arts by
Cultures France[6]
- 2007 Praemium Imperiale
Award by the Japan Art Association[6]
- 2001 Goslarer Kaiserring, Goslar, Germany[6]
- 2001 Kunstpreis, given by Nord/LB, Braunschweig, Germany

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